The Wizard Of Oz 1939 Full Movie Free Download
From offscreen friendships and jarring pay inequality to the special effects and makeup tricks that brought some of the world's favorite film characters to life, The Wizard of Oz (1939) had so much going on behind the emerald pall and the Technicolor gloss of an amazing fantasy world.
In accolade of the 80th anniversary of the film, follow the yellow brick slideshow to peek behind that curtain and learn more virtually the secrets and fun facts that make the beloved movie a timeless classic.
Margaret Hamilton Was a Fan Before the Moving picture
As a self-proclaimed lifelong fan of L. Frank Baum'due south Oz serial, Margaret Hamilton was thrilled to be considered for a part in the 1939 motion picture adaptation. Hamilton called her agent to ask which graphic symbol the producers wanted her to play, and her amanuensis famously said, "The witch — who else?"
Hamilton, a single female parent, fought MGM for an agreed upon corporeality of guaranteed piece of work time. Three days before filming began, the studio agreed to a five-week deal. In the end, Hamilton was on set for three months, merely many of her scenes were cutting for beingness besides scary for audiences.
Sure, Dorothy Gale doesn't need prosthetics or aluminum makeup, merely that doesn't mean Judy Garland wasn't put through the costume department wringer. Although she was immature at the time, the 16-twelvemonth-old Garland had to wear a corset-like device so she looked more like a preadolescent child.
Manager Richard Thorpe suggested Garland wear a blonde wig and loads of "baby-doll" makeup (equally any preadolescent girl would…). Luckily, that vision of the character inverse. Subsequently MGM fired Thorpe, the intermediate managing director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart motility.
The "Skywriting" Scene Employed Some Slap-up Moving picture Magic
The Wizard of Oz employs a lot of neat picture tricks, and some of the most unique were used in the skywriting scene. In it, the Wicked Witch (Margaret Hamilton) flies above the Emerald Urban center, leaving the phrase "Surrender Dorothy" in her wake in black smoke.
Using a hypodermic needle, the special furnishings team spread black ink across the bottom of a drinking glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in contrary and filmed the scene from below. Initially, the skywriting concluded with the ominous "Or Dice — W Westward W."
The "Snowfall" in the Poppy Field Was Actually Dangerous
One of the Wicked Witch'due south last-ditch efforts to impede Dorothy's quest to meet the Wonderful Wizard of Oz involves a poppy field and some magical sleep-inducing snowfall. While many similar to joke that the poppies and their drowsiness are the result of opium (a component of poppies), the scene has a much more blatant toxic connection than that.
All that magical snow? It's really 100% industrial-form chrysotile asbestos. Even though the health risks associated with the fabric were known at the fourth dimension, it was withal Hollywood's preferred option for faux snow. Our advice to Dorothy? Don't grab whatsoever snowflakes on your tongue.
Scarecrow's Makeup Stuck Effectually for Awhile
In the end, Ray Bolger (Scarecrow) was probably grateful in more than means than one for Buddy Ebsen (the original Tin Human's) willingness to merchandise parts with him. The Tin can Human's aluminum makeup caused a huge corporeality of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger'southward makeup experience was improve than Ebsen'due south, he still had some bug. The Scarecrow's makeup consisted of a rubber prosthetic, complete with a woven design that mimicked the expect of burlap. After the film wrapped, the prosthetic left patterns on Bolger's face that took more than a year to fade.
Margaret Hamilton Was Burned On Set up
In a burst of flames and ruddy fume, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may take instilled more fear for Hamilton. On the first take, the smoke rose from a hidden trapdoor as well early.
For the second take, Hamilton stood on the trapdoor every bit planned, but her greatcoat snagged on the platform when the fire flared upwardly. Her copper-containing makeup heated upwards instantly, causing 2nd- and tertiary-caste burns on her hands and confront. To make matters worse, the crew tried to remedy her burns with (an fifty-fifty more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch's legion of flying monkeys — or Winged Monkeys as they're called in the source cloth — have certainly been a source of terror for generations. Almost as scary every bit the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thank you to the magic of piano wires.
However, the aerial stunt went amiss when several of the piano wires snapped, sending actors plummeting a few anxiety to the soundstage floor. To create such a vast troupe of monkeys (and cut down on man marionettes), filmmakers fabricated miniature prophylactic monkeys to help populate the sky.
"Over the Rainbow" Was Most on the Cutting Room Floor
To no 1's surprise, the American Film Institute ranked "Over the Rainbow" #ane on a list of 100 Greatest Songs in American Films. But what may surprise you? The (arguably) virtually iconic song of Judy Garland'south career was well-nigh cutting from the moving picture.
Studio execs at MGM thought the song made the Kansas scenes too long. Moreover, filmmakers were concerned that children wouldn't empathise the vocal'southward pregnant. Luckily, this unfounded concern melted like lemon drops. Unfortunately, Garland's tearful reprise of the vocal was left on the cut room floor.
The Tin can Human Costume Didn't Let Jack Haley to Rest Easy
Although Bert Lahr had to schlep around in a 90-pound lion costume, Jack Haley didn't have it easy either. From the lingering concerns about the aluminum paste-based makeup on his face and easily to the minimal flexibility of the "tin" torso and artillery, Haley faced some challenges.
Reportedly, his costume was so stiff that he had to lean confronting a board to rest properly. Many years later, actor Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same outcome with his rigid costume. It seems even fantasy and sci-fi can't help folks escape all their problems.
The Original Can Human Was Rushed to the Hospital
Initially, Buddy Ebsen was cast as the Scarecrow, but traded parts with Ray Bolger. All the same, Ebsen's new graphic symbol, the Tin Man, caused him a world of bug. Namely, the grapheme's silver makeup contained a harmful aluminum dust that coated Ebsen's lungs.
To make matters worse, Ebsen had an allergic reaction, and, unable to exhale, he was rushed to the infirmary. MGM recast the office with Jack Haley (and changed upward the makeup), merely didn't explicate why Ebsen "dropped out." Although Ebsen didn't appear in the final film, his vocals can exist heard in "We're Off to See the Wizard."
A Stocking & Some Miniatures Gave Us the Tornado
The tornado that strikes the Gale homestead is full of applied special furnishings that really hold upwards. The funnel itself was actually a 35-human foot long stocking made of muslin. The special effects team spun information technology effectually miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.
The Gale firm, which falls from the heaven and into Oz, is just a miniature house that was dropped onto a sky painting. Filmmakers then reversed the footage to make it look like the house was falling out of the clouds.
Hollywood Didn't Pay Up And so Either
Pay inequality has always been an upshot in Hollywood. For example, Adriana Caselotti, voice of the titular graphic symbol in Walt Disney'south Snow White and the Seven Dwarfs (1937), made $970 for her functioning. The film went on to make roughly $eight million.
Co-ordinate to the Los Angeles Times, Judy Garland'due south pay was amend than Caselotti's — playing Dorothy earned her $500 a week — but information technology still didn't reflect the moving picture's success. Fifty-fifty more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per week. (Meanwhile, Terry the dog earned $125 per week every bit Toto. A real yikes.)
Bert Lahr'southward Lion Costume Was Taxing
Originally, MGM thought it might cast its mascot — the actual panthera leo used in the studio's title card — as the cowardly character. Fortunately, for the safety of the actors and the animal, the filmmakers decided to cast actor Bert Lahr equally the anthropomorphic character instead.
To brand a disarming creature, the costume section fashioned Lahr a 90-pound outfit made from real lion skin. All the same, the arc lights used on ready made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his character's nerves. Each night, two stagehands dried the costume for the adjacent twenty-four hours.
The Initial Box Function Returns Were Uneven
The film started shooting in October of 1938 simply didn't wrap until March of 1939, racking up an unheard of $2,777,000 in costs. That's nearly $50 million adjusted for inflation. Upon its initial release, the movie only earned $3 million at the box role — about $51.viii million past today's standards.
Although that seems impressive for a Depression-era motion picture, remember that Disney made $8 million with Snow White and the Seven Dwarfs (1937). The Wizard of Oz'due south modest success in the U.S. barely covered production and motion picture rights' costs — MGM paid $75,000 to the publisher for those — simply success overseas fortunately bolstered the picture's returns.
The Dark Side of Oz in a Time Earlier "Me Too"
Judy Garland was just 16 years old when she was cast equally Dorothy. Insecure and lonesome, she became fond to amphetamines and barbiturates, which were oft given to young actors to help them sleep later studios shot them upward with adrenaline so they could piece of work long hours.
The spotlight — and her dissentious contract with MGM — didn't help, leading to her lifelong struggles with an eating disorder and alcoholism. Co-ordinate to a writer for Express, "[Garland] was molested by older men, including studio chiefs [and caput Louis B. Mayer], who considered her footling more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy nutrition of cigarettes, java and craven soup.
The Phonation of Snow White Had a Cameo
A few years earlier The Sorcerer of Oz debuted, Walt Disney's feature-length animated picture show Snow White and the Seven Dwarfs (1937) became a boom-hit. Not only did the picture revolutionize the blitheness industry, it also reinvigorated the fantasy genre.
Disney wanted to follow upwards Snow White — then the virtually successful motion-picture show of all time — with an adaptation of The Wizard of Oz, merely MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited role in Oz. During the Tin Man's "If I Only Had a Heart," Caselotti speaks her sole line, "Wherefore art thou Romeo?"
The Ruby Slippers Are Props & Treasured Artifacts
Keeping in line with the book, Dorothy'south iconic footwear was originally silver, but screenwriter Noel Langley felt the red color would really popular in glorious Technicolor. Designed by MGM'south primary costume designer Gilbert Adrian, the shoes are each covered in about 2,300 sequins.
1 of the remaining pairs is on view in the Smithsonian Institution's National Museum of American History. Since the display is so heavily trafficked, the museum has replaced the carpet there several times. Another pair were stolen from Minnesota'due south Judy Garland Museum in 2005, but the FBI recovered the slippers for the establishment in 2018.
But One Sequence Was Filmed "On Location"
The Wizard of Oz is your classic adventure story, and Dorothy'south quest leads her from a Kansas farm to another world — complete with corn fields, poppy-filled meadows and forests. However, despite all these breathtaking locations, about all the scenes were shot on a soundstage.
Every bit was customary at the time, immense, detailed backdrops were painted past studio artists, making it possible for filmmakers to transport audiences to far away places without filming on location. In fact, the only location footage in the film is the opening championship sequence — those clouds are 100% the real deal.
A Second Toto Was Brought In
Toto, played primarily by Terry, is one of the most beloved dogs in film history. Terry was famously non a huge fan of special furnishings and tin oftentimes be seen running out of a shot when something loud or alarming happens — similar when the Tin Man spouts out all of that steam.
After one of the Witch's guards accidentally stepped on her, Terry was on bedrest for ii weeks. Filmmakers went through two doubles to detect one that resembled the original canine thespian more than closely.
Fun fact: Judy Garland was then addicted of Terry that she wanted to prefer the domestic dog.
Margaret Hamilton "Mourns the Wicked" Witch
In addition to being a huge fan of the Oz books, Margaret Hamilton also believed her character was more than than just your run-of-the-mill evil villain. More than 35 years afterward the film debuted, Hamilton, donning her Witch'due south costume to testify kids information technology was make-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her about the graphic symbol.
According to Hamilton, the so-chosen Wicked Witch relished everything she did, but she was also a sad, lonely figure. In brusk, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked also takes this approach to the Witch's character.
The "Horse of a Unlike Color" Was Made Possible Thanks to a Food Product
In 1939, audiences were just as amazed as Dorothy, Scarecrow, Tin Human and the Cowardly King of beasts when the horse in Emerald City took on a rainbow of colors. This "horse of a different color" was fabricated possible thanks to a surprising nutrient detail…
Jell-O crystals were used to colour the horses, which meant filmmakers had to motility quickly — the animals were eager to lick up the sweet treat. But the colorful steed isn't the only interesting component in this fan-favorite scene. The horse-drawn wagon was in one case owned by President Abraham Lincoln and at present resides at the Judy Garland Museum.
The Makeup Section Hired on Extra Easily
From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, so many actors had to undergo a makeup transformation in social club to give life to this fantasy moving picture. To proceed up with the daily demands, MGM called upon workers from the studio mailroom and courier service to manage makeup stations.
Since most of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming assembly line. Virtually actors had to go far before five:00 in the morning — six days a calendar week! — to brainstorm the intensive process.
Memorable (& Often Misquoted) Lines Fill up the Film
The flick is clogged of iconic, memorable songs, and it has the dandy fortune of beingness responsible for some of the most quoted lines in motion-picture show history likewise. In 2007, Premiere compiled a list of "The 100 Greatest Movie Lines" and placed a whopping 3 of the motion picture'south lines on the listing.
"Pay no attention to that human backside the mantle" was voted #24, while "There's no place similar domicile" nabbed the 11th spot. Finally, the oftentimes misquoted "Toto, I have a feeling we're not in Kansas anymore" landed in the 62nd spot.
The Witch's Burn Employed Some Technical Wizardry (& Juice)
Clearly, the technical wizardry — or witchcraft — in the movie is incredible. Similar the "equus caballus of a dissimilar color" sequence, another iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Shortly later on Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the ruby slippers from the young girl's feet. Yet, fire strikes the Witch's hands, repelling her. This "fire" is really apple juice spouting from the slippers in a sped-up clip to brand it wait more flame-similar.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was part fun and role problem-solving for filmmakers. In club to properly capture scenes with the Technicolor photographic camera, the soundstage needed to be lit with arc lights, which oft heated the set upward to a toasty 100 degrees.
After the lights were set up, the experts experimented with what would look all-time on motion picture, especially in colorized form. For example, the white part of Dorothy's clothes is actually pink — just considering information technology filmed amend. And the oil the Tin can Man is so excited about? It'due south actually chocolate syrup.
The Wicked Witch of the Due east Makes More than One Appearance
Function of the Wicked Witch of the Westward'southward beef with Dorothy is that the young girl dropped a house on her sister, the Wicked Witch of the East, who was the short-lived owner of the blood-red slippers. Although Margaret Hamilton already plays both the Wicked Witch of the W and her Kansas counterpart Almira Gulch, she also plays the Wicked Witch of the East — if only briefly.
During the tornado sequence, an addled Dorothy looks out her bedroom window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the ruddy slippers. The restored version of the film makes that shimmer even more than noticeable.
The Film's Running Time Was Cutting Downward Several Times
The first cut of the film clocked in at a running fourth dimension of 120 minutes. Although that seems like nothing by today'south Marvel movie standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off 20 minutes.
Afterward cutting the famed "Jitterbug" number (top right) and an extended Scarecrow trip the light fantastic sequence, the film was 112 minutes long. LeRoy held a second preview screening, and, after, nixed Dorothy'south "Over the Rainbow" reprise, an Emerald City reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a human being beehive (Yikes!) and a few Kansas sequences.
So Much for a "Wicked" Witch
Filmmakers deemed Margaret Hamilton'south Wicked Witch of the West operation too frightening for audiences and cut or trimmed many of her scenes. But not everyone thought her performance was terrifying — namely Judy Garland, who played the Wicked Witch's nemesis, Dorothy Gale.
Off-screen, the film's starring foes were actually friends. Ane story that emerged from the set up described Garland excitedly showing off a dress to Hamilton, declaring she was going to wear it for her graduation. Unfortunately, MGM's Louis B. Mayer sent Garland on a press tour the 24-hour interval of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," every bit opposed to the more apt "Color Sequences past Technicolor." The phrasing of the credits makes it seem as though the entire movie was shot in color. Was this done deliberately, or was information technology a minor syntactical false pas?
Information technology's widely believed this was a bit of a stunt washed to enhance the surprise of the flick turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters made at the time of the film's debut made no mention of sepia tint (or "black-and-white"), calculation credence to this theory.
One of History'south Nigh-Watched Films
Although The Magician of Oz proved popular in theaters, another film released the same year, also directed by Victor Fleming, actually topped the box office. (You may have heard of that little movie — it'southward called Gone with the Wind.) Yet, MGM's musical fantasy may have more staying ability than other films of the era, thanks in part to re-releases.
The film was offset broadcast on television on November 3, 1956, and garnered an impressive 44 meg viewers. It'due south believed that The Wizard of Oz is 1 of the x most-watched characteristic-length movies in film history, largely due to the number of annual tv screenings, theater viewings and various format re-releases.
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